Tag Archive for contemporary art quilts. embellished art quits. Nancy Smeltzer

An All-Over Background for Embellished Art Quilts – Yikes!

Art Quilt "Fiesta" showing background fabric before embellishing

Art Quilt “Fiesta” showing background fabric before embellishing

Nancy Smeltzer, MFA

When I was leaving my home and studio in Maryland  1 1/2 years ago, I wanted to try some new ideas as I cut out 3 pieces to sew. I had no idea how long it would take to resettle and have access to my supplies again, so I basted the pieces together, sewed on the major ribbons, buttons,and large beads, and gathered up the small beads and other materials needed to finish these quilts. To make things a little more interesting, I decided to try some all-over patterned backgrounds as I love making embellished art quilts. Maybe I’ll re-think that idea of “all-over” next time.

I had found the perfect background fabric with gold and darker pumpkin stripes, which to me suggested streamers and suggested the theme, “Fiesta”. I had also found some iron-on appliques that matched the twisted nature of the background (see the red and purple fat streamer in the left of the above photo.) However, I’m never one to leave a blank area uncovered for long, so the few streamers of metal gold beads, as seen above, were just too bare. I know, when in doubt, add more beads!

Bigger gold beads used to portray laughter

Bigger gold beads used to portray laughter

I got tired of sewing on the same size gold beads, was running out of them, couldn’t find any locally, and an exhibition entry deadline was looming. (Ah, the pressures on an artist!) I then thought to simulate laughter at this fiesta I was creating by sewing on larger gold beads, which I had more of and which filled up the area quicker. I was really kicking myself for choosing this all-over background fabric at this point. I didn’t HAVE to embellish the whole thing, but being obsessive, well… and since I don’t bead/quilt on a frame, the fabric gets wrinkled unless it’s heavily beaded and quilted.

Background fabric entirely filled with yellow and gold beads.

Background fabric entirely filled with yellow and gold beads.

Here’s a photo of where I had beaded in a small section without too many of the insights that I spoke about above. The yellow stripes were embellished with a yellow bead that fortunately I had enough of to finish the entire top, as I won’t be able to replace it. That’s one of the problems of working with buttons and beads is that you fall in love with one, use it for a few years, and then it stops being made…sigh! When I truly get to become queen, such things won’t happen. I’ll have an endless supply of my favorite supplies.

What insights have you learned when working with the materials that you use in your media. Don’t make us start from scratch and re-invent the wheel!

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!… and PLEASE tell like minded souls about this blog! The more readers and contributors, the more I write because encouragement helps the words flow!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my spiritual healing work at www.transitionportals.com and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

Thread Effects on Art Quilts – Programmed Machine Sewing

Design created with stitch motifs created in a computer programIn 1993, I bought my current sewing machine, a Bernina 1630. While I loved my old 930 model by the same company, I decided to buy the newer computerized version because it had a design program that could be purchased to go with it. This computer program, “Bernina Designer 1.0”, allowed you to draw something on your computer, and then send it over to the machine which would then sew it. The design motifs were vector created, in that you moved the cursor, clicked to establish a point, moved the cursor in a new direction and clicked again, which established a new point. Those two points were then connected by a line. If the spaces between points were small, you could make curves. If the distances between points were long, you could have more linear motifs. You could then save the shapes in your computer to use again at will. I chose to give each one names rather than numbers. In the photo above, you can see some of the shapes I created on the right, and the names I gave them, and then on the left, a design I made by incorporating each of the shapes and overlapping them. Names for some of the designs in this sample included “Spike Star” and “Swirl Star”. Later on, as I did more samples, I needed to come up with categories of stars, flowers, and other motifs to organize all of the designs I was creating.

Forest Scene using a computer generated design to sew on a sewing machineIn this practice experiment of a forest scene on the left, you can see how it was composed using some of the saved motifs from the sample above and some new ones i had created for these sample. I love the “Grass Shield” motif in the first sample that looks like a little blue bird flying along the sides, while when stitched in green thread, makes a grassy forest floor in this sample. I also liked the way this second forest sample shown above, when stretched out, makes the “trees” in this scene. The program was a lot of fun to play with as you could play with the height and width that was stitched to get more variety in the designs that were created.

Pink Swirls design using a computer generated program to sew on a sewing machine“Pink Swirls” (10.25″ x 8″ or 26 cm x 20.5cm) is a sample in which I used  free-form applique to fasten down an assortment of fabrics and ribbons, and then added some of the design motifs I had generated in the computer program on top of the fabrics. I then added on some buttons, and beads to further embellish the surface treatment. I especially like the pink spiraling swirl motif (hence the name) with its pink finger-like projections at the end. To me, it could be a spiral in a galaxy or an undersea creature with nebulous tentacles ready to swim through the water or capture some lunch.

I recently pulled out the computer program, hoping to recover some of the design elements, but the 1630 sewing machine is designed with a serial port while the computer I have now has USB ports. I bought a cable that would adapt the two connections, but then realized that the discs from the old, design program were floppies. I paid to have someone convert them to CDs, but then was disappointed to find that the old Bernina Designer 1.0 program isn’t supported on Windows 7. Having called my local Bernina distributor, I was told that there isn’t anyway to get those motifs back. Fortunately, I can still use the programmed stitches Binary code of "0s" and "1s" sewn by machine in an art quiltthat are on my Bernina 1630 machine. In this close-up of “In the Field of Lost Bytes”, an art quilt that I wrote about back in November, 2011, you can see lines made of dark bars from a programmed stitch that comes with the machine. In between the lines, (you have to look closely in the middle part of this detail photo) are programmed “0s” and 1s”, to simulate a binary code, as this quilt was supposed to be about lost data that I had sent out over the Internet, only to be lost. I humorously imagined that the bits and bytes were buried somewhere out in an etheric field, laid down in layers, much as artifacts are covered up in sediment. It would be quite a feat to interpret my message, as I don’t know binary code, but I can imagine that there are quite a few swear words as my carefully written postings, that I had labored over, were sent out, but not received.

Working with the needle on a sewing machine as a “pencil” is great, good fun. I wish that my I could access my old designs, as I wanted to use them as filler in backgrounds on my art quilts. However, I would need to buy a separate machine in order to be able to generate my own designs. That purchase will have to wait until I get another grant or sell a alot more art work. In the meantime, I’ve been practicing with free motion thread embroidery on  my 1630 and will be posting about it soon.

Have you experimented with machine emboridery computer programs? What was your experience like?

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!

You can see more of my art work on my web site at www.fiberfantasies.com