Tag Archive for fiber art

An All-Over Background for Embellished Art Quilts – Yikes!

Art Quilt "Fiesta" showing background fabric before embellishing

Art Quilt “Fiesta” showing background fabric before embellishing

Nancy Smeltzer, MFA

When I was leaving my home and studio in Maryland  1 1/2 years ago, I wanted to try some new ideas as I cut out 3 pieces to sew. I had no idea how long it would take to resettle and have access to my supplies again, so I basted the pieces together, sewed on the major ribbons, buttons,and large beads, and gathered up the small beads and other materials needed to finish these quilts. To make things a little more interesting, I decided to try some all-over patterned backgrounds as I love making embellished art quilts. Maybe I’ll re-think that idea of “all-over” next time.

I had found the perfect background fabric with gold and darker pumpkin stripes, which to me suggested streamers and suggested the theme, “Fiesta”. I had also found some iron-on appliques that matched the twisted nature of the background (see the red and purple fat streamer in the left of the above photo.) However, I’m never one to leave a blank area uncovered for long, so the few streamers of metal gold beads, as seen above, were just too bare. I know, when in doubt, add more beads!

Bigger gold beads used to portray laughter

Bigger gold beads used to portray laughter

I got tired of sewing on the same size gold beads, was running out of them, couldn’t find any locally, and an exhibition entry deadline was looming. (Ah, the pressures on an artist!) I then thought to simulate laughter at this fiesta I was creating by sewing on larger gold beads, which I had more of and which filled up the area quicker. I was really kicking myself for choosing this all-over background fabric at this point. I didn’t HAVE to embellish the whole thing, but being obsessive, well… and since I don’t bead/quilt on a frame, the fabric gets wrinkled unless it’s heavily beaded and quilted.

Background fabric entirely filled with yellow and gold beads.

Background fabric entirely filled with yellow and gold beads.

Here’s a photo of where I had beaded in a small section without too many of the insights that I spoke about above. The yellow stripes were embellished with a yellow bead that fortunately I had enough of to finish the entire top, as I won’t be able to replace it. That’s one of the problems of working with buttons and beads is that you fall in love with one, use it for a few years, and then it stops being made…sigh! When I truly get to become queen, such things won’t happen. I’ll have an endless supply of my favorite supplies.

What insights have you learned when working with the materials that you use in your media. Don’t make us start from scratch and re-invent the wheel!

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!… and PLEASE tell like minded souls about this blog! The more readers and contributors, the more I write because encouragement helps the words flow!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my spiritual healing work at www.transitionportals.com and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

Updates on the Beaded Art Quilt – “Columns of Purple and Orange”

Purple Ribbon with beads on motifNancy Smeltzer, MFA

I tend to work on several quilts at once, as I often get tired of the same colors. This particular one I had cut out to take on an upcoming trip, but my carry-on is so filled with meds for my chronic Lyme disease, that there won’t be any room for art work this trip. It’s probably just as well, because I end up carrying all of these supplies and then have only a few hours time to work on my art while I’m away.

This piece is progressing however, even though in this detail shot, you can some of the surfaces not beaded yet. One part that is finished is the purple velveteen ribbon with dark purple beads that outline the petals. I wanted to leave the rest of the ribbon to be uncovered as it’s so pretty.

Orange and yellow flower with gold beadsIn the center of this photo is one of the orange fabric flowers outlined in yellow. I chose to use large yellow seed beads,size 3, for the center, with smaller size 10 beads to outline the petals. I used red quilting thread to secure them, which added a subtle contrast and tied the beads into the composition. I also liked using some olive green buttons and disks as they make for a nice pop to the colors. At the very top of this photo is a glass sunflower button. It has dichroic foil behind it, and the shape also adds to the flower concept in this section of the quilt’s composition. In the bottom left is another large glass button, whose purple sheen plays off the purple buttons to the left of it and above.

White faux pearl oval bead medallionIn the bottom right of this pic is a lavender and white medallion. The fabric motif had the white ovals printed on it, and all I had to do was to sew white faux pearl oval beads onto the appropriate areas of the circle to make the pattern. These beads are sometimes known as rice beads because of their semblance to grains of rice. They are usually white, especially the plastic ones, but you can find them in different sizes and colors. The lavender area that is not covered with beads plays off the beaded oval shape above the medallion which is beaded. While I cover up large areas of these art quilts with beads, I do like to leave a little fabric uncovered for future curators to investigate.

I have definitely entered the Time of the Long Sew on this piece. Just as when you’re building a new house and you reach a point where it doesn’t look like much is being done, this quilt is in that stage where forward progress isn’t as obvious as when I first begin. However, there is the peace that comes from the Zen-like quality of repetitive motion that keeps me going at this stage.

How do you keep yourself moving forwards towards completion of a piece when it feels as if you’re not making much obvious progress? What’s your version of the Long Sew, or does your medium move quickly?

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!… and PLEASE tell like minded souls about this blog! The more readers and contributors, the more I write because encouragement helps the words flow!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my spiritual healing work at www.transitionportals.com and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

Ring Around the Collar – A Choker for my Neck!

Black beaded choker by Nancy SmeltzerNancy Smeltzer, MFA

I’ve always liked the look of chokers. May be it’s because I have a long neck that I like wearing them. Since I have had a lot of opportunities for dress-up, costume, and black-tie parties, I’ve often made my own accessories. This beaded choker on black velvet was one of first attempts. There is a central blue-black glass button in the middle flanked with two flat carved rose quartz beads. I then proceeded to cover the surface with all kinds of flower and vine motifs,stitched in seed beads and accented with gold oval beads. The piece ties around my neck with black 1/2″ ( 10 mm) wide satin ribbon.

Gold Leaf Beaded ChokerThis next piece I wore to one of President Clinton’s 2nd Inaugural Balls. My ex was a classmate of his at Georgetown, so we got to go to several events over the years at the White House. Since my birthday is January 20th, I got an early birthday present of having a professional clothing designer coach me in how to make my own evening gown. This choker, that went with the dress, has a series of commercially beaded leaves that I fastened onto a satin ribbon that had a gold and black edging. I was quite please that the height of the leaves did not restrict me bending my neck, as I couldn’t be sure that that would not be the case until I had finished the choker. A hook and eye fastens this piece around my neck.

Green choker by Nancy SmeltzerSeveral years, a favorite niece had a medieval wedding, and of course, I couldn’t pass up a chance to dress-up. While my dress was probably more Elizabethan than medieval, it fit into the scheme of things all right. The backing fabric of this choker is an olive green brocade with round Asian designs on it. To play off of those motifs, I used a large central gold, green, and black glass button. It’s flanked on either side by smaller green, glass buttons. I had green ribbon tendrils spilling out of my hair, so I was rather pleased at the effect I created.

Black sequined collarFinally, this last piece is more of a collar than a choker. I didn’t make it and haven’t worn it yet, but bought it because it was so beautiful. I imagine that it was made in the 1930s, as that’s about the time period for the flowered sequins that stretch around the length. Coming up from the base of the fabric is a black bugle bead, then the flower sequin, and than a black bead before the needle passed back down through sequin, the bugle bead, and then through the fabric. That process allows for each flower to “stand” on a short stem. The flowers are spaced closely enough so that the whole field of flowers stands upright from the background by about 3/4″ (2.8cm).

I loved playing dress-up as a child, and that passion has persisted into my adulthood. Clothes do make this woman, and I love taking on “roles” as I put on finery of one kind or another. I’ll have some pics soon of some more of the wearable art pieces that I’ve done. It’s not all about art quilts, you know!

How do you like to adorn yourself? I’d love to see some well-lit photos of pieces that you’ve made from buttons and/or beads and fabric that I could consider for a future blog. Please send your pics and a short description of the piece(s) to info@fiberfantasies.com .

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!… and PLEASE tell like minded souls about this blog! The more readers and contributors, the more I write because encouragement helps the words flow!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my spiritual healing work at www.transitionportals.com and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

“Fabric of the Universe” – A Study in Black on Black

A beaded art quilt, "Fabric of the Universe"“Fabric of the Universe”, a medium sized beaded art quilt, (31” W x 26.5” T or 78.5 cm x 67 cm T) was created in 2003 in response to an energy exchange with a lover at the time. We were laughing afterwards that our combined energy waves were somewhere out in the Universe and an alien was laughing for some unknown reason.

Thousands of black seed beads in the form of “waves” were sewn on to simulate those ripples. As the ripples intersected and reflected off of each other, a “fabric” made Detail of beaded art quilt, "Fabric of the Universe"of these energy impulses was created out in the vastness of my fabric Universe.In some places, the wave patterns intersected with stars and galaxies. In other places on this my map of the outer reaches of Space, the waves clustered, suggesting possible new celestial formations being created. Still, in other areas, there is a suggestion of chaos in these energy fields, and perhaps one can see a black hole or two where light could be drawn inside, never to exit. Such areas seem benign enough and don’t come with warning signs, “Enter at your own peril!”. I’ve encountered a few of those danger zones in my own life, also without the necessary signage…sigh!

Detail of beaded art quilt, "Fabric of the Universe"The black on black beading is incredibly intricate, yet doesn’t photograph well. Even though I knew that that would be the case as was sewing away, I still liked the idea that a complicated pattern of beauty was being created. It is very hard to bead black beads on black fabric at night, and I probably will never do that again on this scale. I find that to often be the case, however, that some of the most amazing things in life are only seen on close examination.

Another facet of this art quilt that I particularly like are the shi-sha mirrors from India. In the above detail photo, there are two in the upper middle and one at the bottom middle, each outlined with gold thread and tiny pearls. They collect little pools of light and send them out into the room, much like the stars in the sky. I find these tiny mirrors to be quite effective at relecting light, even though they are at most 1″ or 2.5 cm in diameter. Again, tiny details often have large effects, especially when shown in contrast to something else. In this case, it’s the sparkles of light against the dark background.

Bead next to bead, texture next to texture, my art quilts grow. I could probably get by with a lot fewer details, but I would feel that I was shortchanging a piece that I didn’t give my all to. Since I didn’t have children, my creations are what I’m leaving behind to mark that I was once here. While I could have picked a bit more durable medium than fabric to give myself a voice for the ages, I like the concept, that just as in life, we put a lot of effort into what one day will pass.

How do you feel about your own artistic endeavors. What part of your voice are you leaving behind?

 Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!

You can see more of my art work on my web site at www.fiberfantasies.com

Lace is the Place

Lace is such an intricate fabric with a complicated structure. Originally, it was limited to ecclesiastical vestments and clothing for royalty because of the labor involved in its construction. Now, with much of it being made on machines, it is much more readily available for fiber artists to use in their work. For my art quilts, there are a number of lace pieces that I’ve used over the years.

Lace that simulates grape clustersLace circles used for clouds and filler circles on art quiltsHere are two examples of very different types of lace. The gold and navy version on the left may have originally been meant to be pebbles, but I’ve used it as grape clusters a number of times. It does need to be used against a plain, contrasting background, as the threads that make up the circles are thin, and would be lost against a print base fabric. In contrast, the white circles on the right are a much heavier weight thread. By carefully cutting away the connecting links between the circles, I have used them as clouds many times. Since my work has a lot of circles in the design elements, such as buttons,beads, and other acquisitions, I also sometimes slip one of these white circles partially behind another motif that doesn’t have enough contrast between itself and the fabric next to it. The white circle acts as a buffer between the two, creating a bridge between the other two motifs so that two similar colors or prints can be read as being separate from a distance.

Lace fans as a design element in an art quiltPart of the fun for me in choosing embellishments for my art quilts is really looking at the shapes of my materials and using them in different ways. The white lace finger projections sticking out from behind motifs in this detail shot were originally petals from a lace flower design. However, I felt they could be re-used as clouds in this composition, especially since the nearby green leaves, pulled from a silk flower fern, had similarly shaped lobed edges. They both serve to give a subtle, soft dreamy quality to the overall look of this art quilt.

Lace embellished with sequins used in an art quiltIn the middle left of this detail shot is a heavily sequined flower motif cut from some very expensive lace. For me, I felt it would make great, shiny clouds, so that was how iI used it. When I’m buying lace fabric, I’m looking for yardage that has individual motifs that are separate from each other and can be easily cut away from the rest. I then count how many motifs / yd or m and then figure out a cost/unit. If it comes out at around $1-2 US, then I go for the expenditure. In this photo, you can also see some of the white lace circles that were mentioned at the beginning of the article. Here, I wanted the white circle at the bottom middle to make a plain, flat transition from the ornate sequined surface to the flatter appearing, gold lame around it.

Blue lace drop motif filled in with seed beads in an art quiltThe photo on the left is almost life size and I draw your attention to the blue filigree that takes up most of the central area. Those blue lines are the thick threads in a length of lace motifs. Sometimes, lace, instead of being sold as yardage, is created as lengths of individual motifs so that you can add a row on clothing. This particular lace was made of lengths of wide “rain drop” shapes about 2.5″W (6.5 cm) X 3.5″ T (9 cm). The spaces in between were wide enough to fill in with various lengths of size 10 seed beads, ranging from 2-6 beads in length. I quickly tired of filling in all the spaces, but persevered, and love the subtle texture differences between the lace threads and the glass beads.

Heavily edged lace fabric motifs for use in an art quiltHere is another lace fabric with the heavily edged motifs that I like to use as there is enough space in the ground fabric that I can separate the individual pieces and use them where I want. Below is a detail of one of these motifs used in an undersea scene.

Heavily edged lace fabric motif used in an art quilt

For me, the motif used in this context, has the feel of fan coral, or perhaps wide sea weed fronds waving in the currents. While I’m not sure there are blue seaweeds, (I know there is blue-green algae), as an artist, you get to pick the colors of how you want to depict your worlds. For me, that’s half the fun of what I create, as the scenes can be “real”, from my imagination, or a combination of both. How cool is that to be able to create your worlds the way that you would like to see them?

While lace can often be expensive, I feel that many of them are worth the money because of the elegant feel and textures they can provide to an art quilt’s surface that is hard to obtain with other materials. Texture is a very important part of why I use fabric, buttons, and beads for my embellishments. Lace is probably one of the easiest materials to employ if you’re looking for a soft look in you images. I invite you to splurge on some and have a blast seeing how many ways you can employ that material. Creating art is all about having fun, right?

Have you ever used a “luxury” material in your art work?

What were some of your successes and “learning experiences”?

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!

You can see more of my art work on my web site at www.fiberfantasies.com