Archive for Gardens of Yellow & Butterflies

“In the Garden of Yellow and Butterflies” Completed

Contemporary, beaded art quilt "Garden of Yellow and Butterflies"There’s always satisfaction when an art quilt is completed. Cleaning up the edges and putting on the binding, while not particularly gratifying artistically, “frames” the piece and gives your eye a place to stop. The black and white striped 2″ (5 cm) wide grograin ribbon that I used on this piece I will probably use again, as it was very easy to fold the middle black stripe right down the middle. However, while that folding worked well on the front of the quilt. on the back, the ribbon didn’t cover up the black thread stitches. To make for a neater back, I added on a border of 2″ (5 cm) white ribbon to cover up those stitches.

Detail of contemporary, beaded art quilt "Garden of Yellow and Butterflies"This detail photo shows how much the yellow background has been filled in since you saw it in the last posting about this quilt. The bumps and ridges in the background fabric flattened quite nicely with the extra seed beads. However, I do try and leave some of the original fabric showing, for future art historians to see what was there before the beading.

Detail of contemporary beaded art quilt, "In the Garden of Yellow and Butterflies"This view more towards the bottom of the quilt has some of the purple and black flocked velvet ribbon (far left and edge of far right). The roses on it has petals that spiraled around the center, and so I sewed on lavender seed beads to accentuate the shape. Slightly to the left of center, next to that ribbon, is a large rectangle of lavender fabric with olive green size 6 seed beads in the center of a circle of size 8 seed beads. (The smaller the number, the larger the size when you’re talking about seed beads.) Again, I like to tie together a composition by repeating similar sizes, shapes, and colors.

Since the title has the word “butterflies” in it, and they are some of my favorite creatures, I have liberally scattered butterfly pins and appliques throughout the surface. Even though most of the appliques are iron-on, I still sew them down, not trusting the glue to keep them fastened over time. As for the pins, i thread them through all 3 layers of the quilt sandwich, turn the little circle on the clasp to lock the pin in place, and then still sew though the clasp and around the post at the opposite end of the pin to make sure that the pins stay where I want then to.

So another art quilt has been completed, and now the promoting of it begins. I have more than enough jpg pics to use to enter this piece for consideration for exhibits. I’m also collecting writings and photos for an upcoming book that I want to pitch to some publishing houses. There’s a lot to marketing myself, by myself, to make enough money to feed my button and bead habit. While I love to write and do networking, it’s still the quiet hours at night that draw me to my needle and thread and as I stitch away, peace settles in.

 How do you feel when you’ve completed a work of art? Is there the anticipation of what will come next, a let-down upon the competition, or some emotions that would fit in between?

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my healing work at www.hearthealing.net and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

“Gardens of Yellow and Butterflies” Continues On….

Detail of an art quilt in progress, "Gardens of Yellow and Butterflies"I find great comfort in my art work, especially when I’m beset by the throes of life. I’ve been helping to clean up my mother’s house a 10 hour drive away since her stroke in April of this year. My computer was attacked by Trojan viruses this past weekend (not to worry, they’ve been cleaned up.) It’s really hot outside now here in Maryland in the US, and there are weeds outside that are threatening to devour my carefully laid out gardens that had so much promise in the Spring. Yet, inside, in the air conditioning, I can steal away some moments to continue on creating my art work. My art quilts I do have control over, or so they let me think. It’s slipping into the zen of sewing on all of those buttons and beads that brings me peace.

The piece, “Gardens of Yellow and Butterflies” continues on. In this update piece, in the shot above, you can see that the beading continues. I’m especially pleased with how the flowers scattered around and the large green leaves in the middle of the photo turned out. Sometimes, I really, really like what I’ve done. The buckling in the yellow striped fabric in the background is one of the problems with having large areas of fabric on an intensely beaded art quilt. The bumps and ridges that appear so unsightly right now will be smoothed out as they become beaded, too as the piece is finished. However, putting up with their annoying appearance as I work on other areas can be disconcerting.

Detail of an art quilt in progress, "Gardens of Yellow and Butterflies"In this detail shot, there are many more areas that have been covered with beading, so the buckling has been covered up and evened out. I’m especially pleased with the purple beads (size 8 seed beads) that I added on the vertical purple and black ribbons seen on the left and far right of this shot. The purple ribbon has black, flocked areas that make for the raised petals of the flowers that run the length of the material. While it probably would have been fine to have left it the way that it was, I hate to see that much expanse not be embellished, so the purple beads were added. There’s some of the original ribbon not covered, so upon closer examination, you can see it. Since it’s practically impossible to get beads to match the fabric exactly, you can get a much richer fabric with the two colors of purple, one of the beads, and another, of the ribbon.

Detail of an art quilt in progress, "Gardens of Yellow and Butterflies"Here’s another detail shot that is also heavily beaded. The large white mother of pearl button from the 50s (upper right) inlaid with black mother of pearl (MOP in the trade), makes a bold statement that balances out the black and white harlequin striped ribbons in the piece. I had just enough flat hematite colored rondelles to put in the middle of some of the black diamonds on the ribbons to add another textural element. Red seed beads attached the rondelles and were also used at the intersections of the diamonds on the ribbons to add a subtle detail and to play off the nearby red beads in the background. I love using snippets of one color to balance out and pull your eye to another place where they’re used on the surface of the art quilt.Even the large glass gold pansy button at the top of the black and white ribbon on the right is painted black on the backside so that the petals will stand out as being separate. That subtle use of the color black in that button plays off of the ribbons, the black in the purple ribbon, and the black and white metal butterfly, whose upper half can be sen in the bottom middle of the photo immediately above and even more, in the middle photo.

It’s the fun of rooting through my stash of buttons and beads to find the perfect ones to play off of each other, and creating a composition out of “controlled chaos” that is great, good fun for me. Since I don’t know exactly how the finished piece will turn out until it’s done, the anticipation keeps me going. That excitement makes up for the long hours, stuck fingers, and blurry eyes as the night gets late… or at least so far.

What delights you the most in your own art medium? Is it finding the materials, designing the image, or is it knowing that the last stitch is almost there that keeps you going on into the night.

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!

You can see more of my art work on my web site at www.fiberfantasies.com and can find me on Google + , Facebook,  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

Gardens of Yellow & Butterflies – Another Work in Progress

Full shot of an art quilt in progress - :Gardens of Yellow and Butterflies"I recently gave a presentation to a local Brandeis University Committee that supports the University and its libraries. I wanted to have a work in progress piece to show them how an art quilt is made, with its messy quilt sandwich, the untrimmed backing fabric,  and the middle batting sticking out. I also knew that I would be traveling soon, and that an art quilt the usual size of one of my larger pieces would take up a lot of room and weight in my carry on luggage. So the day before the presentation for the Brandeis group, I cut out this smaller art quilt (approx, 24″ W x 30″T, or 61 cm W x 76.5 cm T), “Gardens of Yellow and Butterflies” to demonstrate how an art quilt looks when it’s first being made.

The photo above shows this quilt, two days old, with the fabric pieces pinned into place. There are numerous safety pins up the middle and around the edges that keep the three layers from shifting too much as the sewing progresses. I like using safety pins rather then large basting stitches to hold the quilt sandwich together, as the safety pins can be opened and the fabric repositioned as is inevitably needed as I bead and quilt,as I don’t use a quilting frame. Rather, these pieces are sewn on a large sketching board that is clamped to a small, folding TV tray with quick release clamps from a hardware store. (Check this link to an earlier blog and scroll to the last pic to see the set-up.)

Detail of art quilt work in progress - "Gardens of Yellow and Butterflies"Here is a detail shot of the art quilt at that early stage of construction. You can see a vertical safety pin in the center yellow fabric as large areas of the same fabric tend to have bulges in them at this stage. There are the also visible white heads of lots of straight pins holding some of the pieces of fabric and ribbons in place. I love using ribbons, usually as  a vertical accent, but the black and white harlequin grosgrain ribbon stretching from the middle to the bottom right in this detail photo has already shifted. At this point, I’ve sewn some buttons and beads already onto the top of it, and rather than rip all of those out at this stage, I’ll use other elements as the piece progresses, such as sewing a large button on top of the ribbon near the bottom, to distract the eye from noticing that that ribbon is crooked.

Full view of "Gardens of Yellow and Butterflies" - two weeks laterThis full view photo was taken two weeks later from the first full view above. A lot of the colored fabric shapes have settled into place, as the edges have either been sewn down, and the straight pins removed or they’ve been beaded down. The yellow background fabric, which is actually two different colors of thin yellow stripes, is still the most wrinkled, and will continue to be until that large area has been beaded down. I can see also that while the black and white ribbon in the middle, extending to the bottom’s crookedness has been disguised with buttons to distract the eye, the same longer ribbon on the far right needs something done to make its top appear straight. It is always amazing to me that what I see with my eyes looks fine, and I don’t see areas I that need fixing until I see a photograph of it.

Detail of the art quilt - "Gardens of Yellow and Bitterflies", taken two weeks later from photos aboveThis later detail photo is taken from the same lower right corner as the detail shot above. The centers of the black diamond shapes in the black and white ribbon have now been filled in with hematite colored glass rondelles, held in place with a red seed bead. Larger sized red seed beads were sewn at the points where the black and white diamonds intersect. The green leaf is completely covered with different colors of beads, with 1 sq in or 2.5 sq cm equalling 1 hour’s work. The purple and black ribbon in the middle of this photo has purple seed beads sewn along the edges and at various places, there are aqua jump rings, sewn in place with lime green embroidery thread. This is because that ribbon has a wire edge, and while the edge will lie flat, the middle of the ribbon often doesn’t.

It has taken me over 30 years of being an art quilter to get command of most of the materials that I use. At this point, if I can think it, I can make it, so the actual construction techniques are no longer an issue. All of that practice frees me up to just be with the piece as I’m working as we speak and dance with each other. That connection can be quite an exhilarating experience sometimes and the joy I experience is what keeps me sewing, often through long hours into the night.

What are some ways that you’ve learned to cover up “mistakes” in your medium? Do you even see them as mistakes, or more as learning opportunities?

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!

You can see more of my art work on my web site at www.fiberfantasies.com

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.