Another Quilt from my Unknown Grandmother

Detal of Children Playing panel on antique quiltNancy Smeltzer, MFA

I think that I had been pulling out stuff from my mother’s linen closet for about two hours at the point where I made this discovery. My mother had countless boxes of soap and light bulbs on the upper shelves, along with brand new sheets and towels that had never been used. Now, however, I was down on the floor. I tugged and tugged on what I thought was a wadded up old stained blanket stuck way back in the corner. Fortunately, instead of automatically throwing it into the Goodwill pile for donations, I unfolded it. I was quite pleased to find an antique summer coverlet that had been quilted.

In a previous posting I wrote about a quilt that my aunt had given me that had been made by a grandmother that I never knew. That one, with its simple butterflies, had been made for a child’s bed and had been made for a children’s orphanage. This new one, that I found, quite a bit bigger. It measures 84″ (213 cm) square, so it’s quite a bit larger, although two or more children often slept in the same bed. There are 16 pre-printed panels (each 16.5″ or 42 cm square) that were stamped in blue ink, one of which is shown here. A medium blue embroidery floss of split down to three threads instead of the usual six, was used to go over the printed design, using a straight stitch. There wasn’t much care taken to disguise the blue thread under the white fabric, as shown where I added a red arrow in the middle of the picture above.

Panel depicting zoo animalsThis panel is another one of the four different panels. Zoo animals are depicted here, while there was another design showing native birds and animals and another one of storybook characters. After the 16 panels were completed, (4 of each design), they were attached in columns of four with a plain white piece of fabric between, or a “sashing”. The entire quilt doesn’t seem to have any batting in the middle, so is probably what I knew as a “summer coverlet” when I was growing up. Those were much lighter weight than the thicker ones for winter.

Detail showing the block design number and a signatureIn the middle of each design was the number of the quilt bock design and the company that made it. It looks like “VOGUEL”, but is probably Vogue-Vogart, a company that made pre-stamped panels to be embroidered and made into quilts. My guess is that the quilt was made in the mid 1920s, as the photo of my Dad from that time period, below (whose side the quilt came from) shows him and his brother dressed like the little boy giving the cat milk in the lower left of the first photo above. The straight cut bobbed hair and the big collars were definitely from that time period.

My father and his brother

Detail of quilting                                    The embroidered panels were seamed together and then a backing fabric was added. The entire piece was quilted in a simple running stitch using white thread. Most of the quilting was done in a simple grid pattern to keep the two layers from slipping, In a few places, there was a diagonal lined added for a little more interest.

Basically, this quilt was quickly done to make a utilitarian bed covering. However, I’d like to think that perhaps impromptu bedtime stories were told over it, using the animals and characters as the focus of the story. The quilt has suffered through the ages, as there are the usual signs of body fluids that are usually found on children’s quilts. I have no idea how long my mother had had the quilt stuffed on the floor of her linen closet, so I imagine that some of the stains are from tannin in the wood of the molding along the floor. My brother has claimed this quilt, so I’m hoping that it gets a much kinder treatment in the future.

For more information on the history of pre-printed quilt panels, check out this link.

Did you have a favorite blanket or “binky” that you carried around? Perhaps it was a favorite sweater or a stuffed animal that you carried around for comfort. Why not tell us a tale of your childhood treasure.

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!… and PLEASE tell like minded souls about this blog! The more readers and contributors, the more I write because encouragement helps the words flow!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my spiritual healing work at www.transitionportals.com and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

“Transition Portals” – Another Small Beaded Art Quilt for a “Reader’s Challenge”

"Transition Portals" - a small beaded art quiltNancy Smeltzer, MFA

In a posting last week, I wrote about “Quilting Arts” magazine’s recent Reader’s Challenge entitled “Passages”. That magazine, one of the premier publications for art quilts here in the States, had a recent challenge where you were asked to submit a piece based on the word “Passages”. The word has a lot of meaning for me, as I wrote about the one that I used to help ease my mother’s crossing when she died in April. I also use the word quite a lot on my healing practice, “Transition Portals“, so I was inspired to enter two quilts for this contest.

To help people break free from negative repeating patterns of behavior in my healing practice, that sometimes means slipping through and under multiple layers of accumulated stuck energy. When you release those overlying coverings of muck, beautiful and shining areas of your life can surface. That’s what I tried to achieve in this piece by having thin layers of sheer ribbons overlay underlying motifs.

Detail of portal in "Transition Portals" - a small beaded art quiltIn the upper right of this detail shot, I changed the portal from being a square golden window, as in my other Meditation Gardens series, to a radiant circle of healing light. Many of my clients describe seeing lights of various colors come into their fields of vision as their issues clear for them, so it seemed natural to include that for the main design motif. The central part of the circle is a translucent glass button from Czechoslovakia. I love the shine from that one and some of the others that have been included as the “Cathedral Window” one in lavender in the lower left hand side of this shot. The sheer ribbons had an opaque edge to both long sides, so I spaced size 8 seed beads the length of the edges to give them a picot look. Those additions seemed appropriate, as I find that when I’m healing something for myself or someone else, there are often tiny bumps along the way that can really hold things up for an issue being released.

I’m pleased that given all of the turmoil that last few months in my life, that I was able to make two of these mini-quilts, (10″ or 25.5cm square), photograph them, and get them off to “Quilting Arts” magazine a week before the deadline for submission. I’ve often joked about how it’s a good thing that I’m not a painter, as you can’t submit a canvas that’s still wet, and I have often worked up until the last minute before something is due. Given that contests today are rarely judged form the actual piece, and not having to wait for slides to be developed and returned in order to mail them off makes submitting for contests and exhibitions so much easier these days than when I started back in the 80s. Still, there’s some quite satisfying about hitting that “submit” button a week before the entry is due that made me feel like my life is getting back to normal.

You can read this and other blogs about art quilts at… http://ninamariesayre.blogspot.com/ . Do check them out, as there’s quite a diverse group of people who post on that site.

What part of the creation process is most satisfying for you? How do you feel when you’ve completed a piece?

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!… and PLEASE tell like minded souls about this blog! The more readers and contributors, the more I write because encouragement helps the words flow!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my spiritual healing work at www.transitionportals.com and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

Ties Through the Ages – Recycled Wearable Art

Front of vest made out of men's tiesNancy Smeltzer, MFA

I didn’t realize that 450 men’s ties would be the gift that they turned out to be when my brother gave me 4 trash bags full of them. As an artist, I love having lots of the same materials to use in a piece that I’m working on. It’s even more fun when I’m creating wearable art by recycling something. My brother helped to clean out my great-uncle’s basement after he died, and that’s how I got my bags of treasures. They were already tied and hanging on coat hangers, so that all you had to do was to slip them over your neck and tighten them to fit around the wearer’s neck.

My uncle’s parents, my great-grandparents on my mother’s side had owned a second hand clothing store, so I imagine that’s where all of the ties came from. I can remember going into it when I was very little and wandering up and down the aisles. Things were piled floor to ceiling, and it was easy for me to hide among the clothes, as my mother visited with her grandparents. The wooden floors and big bins were very different from the department stores where I was used to going into with my mother, but I always got some candy from my great grandparents.

The ties that I received chronicled the history of men’s neckwear from the 30s up until the 80s, when my uncle died. Some were as wide as bibs and would have covered most of a man’s chest. Other’s were very narrow and barely more then 2.5″ (6.5cm) at their widest part. Some of them had food stains on them, so I threw them all into the washing machine to clean them. A few were ruined in the process, but after the remaining were dry, I color sorted them into bins and waited for inspiration.

Back of Vest Made of Men's TiesFor this vest, I chose a very simple pattern that was flat with no darts for shaping at the bust line. I cut out a lining of a navy, cotton blend fabric with a sun, moon, and stars pattern. There were three pieces, two for the left and right fronts and one piece for the back. Keeping the point of the ties intact, I then cut various lengths of ties from the navy print colors and pinned them in place onto the lining. I hate to rip out stitches, so I left most of the linings in the ties themselves. After arranging the various tie lengths onto the lining pieces and pinning them into place, I stitched them onto the lining. I then went around the neck and armholes with a bias binding that I made from one of the ties to cover up the raw edges. I left the bottom of the vest to be made out of the points of the ties, some from the widest part of the tie and others from the narrowest.

My Great Grandmother in her second hand clothing storeMy Great Grandfather in the second hand clothing storeThis photo has my great-grandmother standing on the left of the second hand clothing store. I’m guessing from other pictures that I’ve seen of her, that this photo was from the 40s. Notice that she has on a “pearl” necklace and earrings to go to work. That habit she passed on to her daughter, my grandmother, who would get dressed in the morning to mop the kitchen floor. My great-grandfather is in the second picture in the same store, I imagine on the same day that the first picture was taken, as these are the only two surviving pictures of them in the store. I only have one memory of him sitting in the corner of their house, as he died when I was about two and a half years old, so other than an obituary notice, this is all that I have of him.

It’s fun to look at these old pictures and see where my ties came from. I now have them neatly sorted by colors and stashed in big boxes around my studio, waiting for the next project to haul them out. Ties are made out of rather nice fabric and depending on the style in vogue at the time, can take up to 3 yards of fabric to make, as ties are cut on the bias or 45 degrees so that they’ll stretch around a neck and lie flat. I like the idea of using something, such as ties, for another purpose, such as this vest. Do you have any other ideas for me to try with my stash?

How have you re-purposed a material that was intended for one use but used for another? Do you have any well-lit photos of your creations? If so, then send me some to me at info@fiberfantasies.com as I’m always looking for ideas for posts for this blog. 

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!… and PLEASE tell like minded souls about this blog! The more readers and contributors, the more I write because encouragement helps the words flow!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my spiritual healing work at www.transitionportals.com and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

A Portal for Crossing – A Beaded Art Quilt for Meditation

Portal for Crossing - Small Beaded Art QuiltNancy Smeltzer, MFA

I’ve written several postings about the beaded art quilt that I made for my mother as a Christmas present and how she used it the last days before she died as a source to focus on to ease her crossing over. She was so absorbed with it, that the day before she died and could still talk, she got rather annoyed with my brother and his wife whenever they would get in her line of view from seeing the picture on the wall opposite her bed. So, when “Quilting Arts” magazine came out with it’s new Reader Challenges contest entitled “Passages”, I knew that I needed to make another version of my mother’s quilt.

“Quilting Arts” magazine has a Reader’s Challenge in each issue in which they invite you to interpret a word or phrase. (The June/July 2013 issue has another one of my pieces featured in it, “A Sky Map Somewhere Over the Midwest” as part of their challenge – “Maps”) The new Challenge, “Passages”, seemed like a perfect topic to re-interpret the larger piece that I had done earlier. One of the things that I like best about all of the Interweave magazines challenges is that they’re small. This piece had to be 10″ X 10″ or 25.5 cm square. Such small pieces take me about a week to do instead of the months that some of the larger pieces require.

Detail - "Portal for Crossing: - a beaded art quiltI used a number of the same materials in this small piece as I did on the larger one for my mother. There are the same double squares that I use for the portal in all of my “Meditation Gardens” series. I also had the same sheer green, ribbed ribbon to make the “paths” to the portal. There are 3 of my favorite glass buttons visible in this detail shot; two that have a bluish cast because of the angle of the light, and a “cathedral window” glass button to the upper left of the square, gold portal. There are also two of the green, lily motifs that were used in the original piece, one seen in the lower left and one in the upper right. Unlike the larger quilt, however, I used a number of two hole buttons stamped out of sea shells and dyed green. I fastened them on with black embroidery floss to give a subtle detail to play off other places on the surface where green and black are found together. However, these were the last of those green shell buttons that I had. They show up every few years in the popular chain craft stores, disappear for awhile, and then show up again a few months later. I always try and buy as many as I can find (and afford) at a time, as I use them a lot. I like shiny things!

Working on pieces this small causes me to really focus on the details and making every square inch of the composition count. I don’t have the luxury of throwing hundred of buttons and beads onto this size of a piece, so I have to carefully “audition” each new addition and try several out for a given location before sewing them down. There is the excitement of finishing the piece in its entirety more quickly. Besides, if you didn’t know that those circles were buttons, but thought they were blobs of paint or cutout circles of fabric, you might not even know the finished size of the piece.

 What scale do you like to work in? Some people think that anything smaller than the wall of a building is too tiny, while others won’t deal with anything that’s too big to not fit in their laps. What happens when you think about changing the scale of what you usually do?

You can find this and other terrific art quilt blogs at http://ninamariesayre.blogspot.com/

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!… and PLEASE tell like minded souls about this blog! The more readers and contributors, the more I write because encouragement helps the words flow!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my spiritual healing work at www.transitionportals.com and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

Embellished Clothing I did Finish for my Mother

BEST -Red Hat Society purple soft hat w beaded featherNancy Smeltzer, MFA

Over the years, there were a number of things that I did finish for my mother, (unlike some of the UFOs or unfinished objects that I’ve been writing about lately). Her walls were pretty much filled with presents from living in the same house for over fifty years, so embellished clothing items were often what I gave her as gifts throughout the year’s events.

One of her favorite activities was her monthly Red Hat Society gatherings. They are a group of ladies who get together and have lunch at a restaurant or a house and dress up in outrageous hats and feather boas. The organization is based on the poem by Jenny Joseph entitled ”Warning”. The first two lines say…. “When I am an old woman I shall wear purple, with a red hat that doesn’t go and doesn’t suit me.” My mother loved meeting with her friends and her phone conversations with me were often about where they had eaten and what had been served. So, when she bought this purple hat and asked me to make a feather for it, of course, I began on it right away.

Detail of beaded feather for Red Hat for my motherThe beaded “feather” ended up looking more like a leaf than something that came from a bird, but my mother was very proud of it and loved showing it off. The base for the beading is made of purple felt, which made for an “easy to sew through” fabric that wouldn’t ravel. The barbs or side ribs of the feather were stitched in shiny gold metal beads. The whole motif was accented with purple and aqua glass beads lined with larger purple ones. I mailed the feather off to her when I was finished, so she could show it off. However, I needed to see the hat on her before I could stitch it into its final location, as the hat is soft and floppy, and sits differently on each wearer. She liked showing off things that her daughter, “the artist” had made, so I’m glad that she got to wear it for a few years.

Navy sweater embellished with hand and machine embrodiery

This commercially made navy sweater that I embellished with hand and machine embroidery I think I must have given to my mother in the early 90s. (I know that the navy print that’s the main design motif here I was using in some of my art quilts then.) I satin stitched around fabric cutouts with my sewing machine to keep them from unraveling, and then layered them on the shoulders of the sweater along with white lace cut-outs. White buttons and beads were added to add a lush look. As for the pocket, I repeated one of the fabric designs and some of the lace cut-outs. I only did one pocket, as I like asymmetrical looks, but also part of the problem is that the space inside of the pocket was small. That made it hard for me to get my hand inside of the space to attach very much, so I gave up after decorating one pocket. Art decisions are often based on what’s convenient. or at least that’s been my experience.

Commerical white sweater embellished with handmade appliques and buttons and beadsHere is another gift that I made out of a commercially produced white sweater. Here, I used big stitches, done by hand, to go around the outside of the fabric cut-outs. She must not have washed this sweater very much, as the edges of the fabric would certainly have unraveled after repeated washings. Since the fabric was black and white with yellow accents, I added buttons and beads in those colors to add lushness to the shoulders. On neither of these sweaters, did I add any textures to the backs, as that can often be uncomfortable when wearable art is smashed against a chair back.

I was glad that I found these pieces as I was cleaning out my mother’s closets. While I know I’ll wear the hat, the sweaters I might cut up and use as a quilt dedicated to my mother. I have an ink jet printer that can print on prepared fabric and I might make a quilt based on her photos. Then, these appliques could be added to it…or I may not. Still, I’m glad that my presents did not end up being given away to someone who wouldn’t know the history of them.

Hand sewn gifts are just one way that people have given presents over the years. What are some of the presents that you’ve made for your loved ones? Any handprint paintings or popsicle stick creations out there?

Why not leave a comment as to your thoughts on this posting. Please take a minute, fill out the form below or by clicking on the “comments/no comments link” at the top of the posting, and then share your ideas with the rest of us. We all grow when we share our thoughts and impressions, so why not join our growing community of those who appreciate art quilts and textile arts. We’d love to hear from you!… and PLEASE tell like minded souls about this blog! The more readers and contributors, the more I write because encouragement helps the words flow!

You can see more of my art work on my web site at www.fiberfantasies.com (be patient as it loads; it’s worth it), my spiritual healing work at www.transitionportals.com and can find me on Google + , Facebook (for Transition Portals) Facebook (for Fiber Fantasies),  and Twitter.

To find out how to buy my art work, please check out “How to Buy my Art Work” in the “Pages” section to the right of this blog.

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2013-06-19 12:14:27